Posted in Couture Sewing, Little Black Dress

My LBD* Project: Considering option number one

And so, the real work begins. I decide on three contenders for my *Little Black Dress project and get to work. Here are the three contenders:

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McCall’s 6464 has myriad sleeve options.
Butterick 6410
Butterick 6410 looks a bit “day” to me, but I think it has possibilities — an I like the short sleeves. 
Vogue 1435
Vogue 1435 looks like a very classic LBD contender to me. Simple, but could be dramatic in the right fabric. Not so sure about that jacket. We’ll see. 

What I like about all of them is that they have a variety of style lines that provide me with the ability to fine-tune the fit – and if you’ve been reading any of my posts for the past while, you’ll know that one of my most passionate goals is to have well-fitting clothes. But this good fit does have to be tempered with comfort: in my view, life is too short to wear uncomfortable or frumpy clothes!

sk couture dress classI begin with McCall’s 6464. My first step, as always, is tissue fitting and making a few adjustments to the pattern at this initial stage. I will use my newly acquired knowledge of couture dress-making techniques for this project. I put Susan Khalje’s “Couture Dress Course” from Craftsy in my ears and mark all the seam lines on the tissue pattern. I then cut it out roughly because I’ll be marking seam lines and using those rather than using seam allowances.

First, I have to bring out the massive sheets of waxed tracing paper and mark everything on the muslin pieces.

Of course, that’s only half of the marking I need: since this marks on only one side of the fabric, I’ll need to have those seam lines, darts etc on both sides, so I use the sewing machine to thread trace everything. Time-consuming, but it should be worth it to get the fit right.  I like that fact that this pattern gives me options regarding the sleeves. I haven’t decided yet if I want sleeves, but I am leaning toward that.

When I sew up the toile, there are quite a few tweaks needed to get that fit just right. [Just a sidebar: I always pop in a zipper so that I can fit myself, although my husband will willingly pin in back issues for me.]

I realize that I’m going to need to do two or even three toiles to get it just right. One of the things that surprises me about this pattern is that for the sleeveless version, it provides the same armhole as for the sleeve variations. This means that I would have to take a dart in the armhole and transfer that to the bust dart or princess seam if I decide to use this one and I find that I want a sleeveless LBD. An armscye for a sleeve will gape on me (as on most people, I’d wager) if used in a sleeveless version.

I make it up as designed in the original pattern and take a look at it. Do I like the style? The lines? The fit? As I look at it closely, I realize that I might not be so fond of those darts. In fact, to my eye, there is something about the style lines of the skirt that seem to scream for a princess seam in the upper bodice. I do up a few sketches and like what I’m seeing.

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On the right is the dress as designed in the original pattern. On the left, my changes. 

So, a trace off the pattern, transfer the darts into a princess seam and replace the bodice with my new one and the tweaked skirt. After a few false starts, I get the fit just right. I’m beginning to be able to see this in black silk—maybe raw silk, maybe satin-backed crepe silk (or crepe-backed satin depending on how I look at it). I can almost feel the silk charmeuse lining that I might use.

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As it turned out, I didn’t manipulate the skirt darts into one line: it changed the fit too much, so I removed only the darts in the bodice, turning them into a princess line which I then had to fit better as you can see: the right side is still pinned in this last version.

So, as I said, it now fits really well, and I’m liking the 3/4 sleeves better than the sleeveless version. Anyway, I feel I like this one, but is it too matronly? Well, on to the next one.

Next up, the test of Butterick 6410.


 

FYI…Here are some photos of the large sheets of waxed tracing paper in action in a previous project…

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Posted in Little Black Dress, sewing patterns, Style

The LBD* Project: Finding the right design for my ultimate Little Black Dress

It’s time for me to move on from gazing at inspirational (and aspirational) pieces and do a deep dive into the kinds of sewing patterns available to me in my quest for the perfect (for me) Little Black Dress.

Let me get straight to the point about commercial sewing patterns: Many of the “big three or four” are far too embellished to put it politely, while so many of the “indie” patterns available are bags. What ever happened to elegant and sophisticated?

Let me show you what I mean. I generally find that Vogue patterns provide the me with the most appealing style options, but if I look at the most recent offerings, I find myself scratching my head. Take for example Vogue 1576. A sophisticated option for the perfect LBD? I think not. Because I prefer not to look like a bat just about to take flight.

V1576

Then there’s Vogue 1578.

 

At first glance it seems like it might have possibilities – but then I take a look at the line art and what do I see? Gathers. Gathers? Gathers everywhere. Not in my sleek LBD. So, I move on.

I see that Vogue’s 1579 has that sheath silhouette that is so appealing to me.

V1579

But what about that attached cape? Uh-uh. Not what I’m looking for. So, it’s on to other brands.

Just look at some of the McCall’s spring 2018 dress offerings. I think not…

mccalls winter 2018

 

…but McCall’s 7714, view C has possibilities.

 

 

Then there are the new offerings from Butterick. Their new #6515 is actually appealing to me, but it is really too much “of-the-moment”, too trendy and not timeless enough. Those statement sleeves (I think I may want sleeves) will date it faster than you can say “fake news,” and the ruffles on the sleeveless one – don’t get me started. I’m not a ruffle type. So that’s out.

I surf on over to Simplicity to see the new offerings and am met with…

simplicity 2018

 

…and what is this obsession I see all over online sewing communities with vintage? I like a bit of retro myself – although I tend to prefer the 1960’s aesthetic to the 1940’s – but I think it needs a bit of an update. I don’t find the literal reproduction appealing at all.

So, I have a quick look at some offerings from indie companies. I don’t find most of the sites appealing at all, but I am drawn to Style Arc for their knit patters. Let’s see what they have in dresses…

style arc dresses

…hmm, not what I’m looking for, but to be fair to Style Arc, they do have a couple that I really like, maybe just not for this project. I really love their Serena dress and their Renae. This last one is actually a possibility that I might return to.

 

There are other online indie pattern companies, but most seem to design for knits or people who really just want to hide in a tent. I get it, though.  If I were to offer any of my own designs as patterns, I would choose to offer the ones whose fits are the most forgiving. That way I wouldn’t have to test them on so many bodies to get the very best composite sizing. S-M-L is so much easier than 6-8-10-12. Anyway, I think I need to look at some of the older patterns that might fit my criteria as follows: elegant, sophisticated, stream-lined and timeless. On to Susan Khalie’s Couture Dress course on Craftsy.sk couture dress class

I have been all through this course with the intention of using it to guide my couture dress project. However, I find I’ve used many of her techniques on other projects to date, but have not plunged into doing the dress along with her. One of the reasons I have hesitated so long is that the pattern Craftsy sends along to be used in the course is Vogue 8648, View A or B. It fulfils many of the criteria that I am looking for, but it has one serious drawback. I really don’t like the square neckline.

Vogue 8648

Oh, actually it has two drawbacks if you must know: I don’t think I want that inset waist. The pattern is one of those that permits fine-tuning the fit – all of those seams lines make fitting much easier than in a fitted dress that is minus those offerings. So, I’m back to the drawing board.

I find that I have been contemplating three patterns for dresses in general, so I dig one of them out of my pattern box and order the other two. The first option that I’ll make a muslin for is McCall’s 6464. I really love a boat neck and it has both sleeve and sleeveless options, the sheath silhouette I love, and style lines for fine-tuning that fit. Stay tuned!

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